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Moses came to the kitchen door pushing an untemperamental-looking wheel-barrow with a leg in splints, that is, a leg of the vehicle. The barrow was filled with carrots. He was accompanied by Job and Henry. Behind him trooped a merry laughing group of expectant children. “A deed to the stone house, the Ha’nt, May Nell calls it. I was glad to know of something you wanted; and I’ll furnish the money to redeem the place to your idea of the beauty it deserves. It is a splendid location. And Mrs. Bennett,” he turned to Billy’s mother, “you must let me see Billy through college.” The “Lady of the Lake” was that moment deserted..

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“Betty dimples in an’ out, like Mar’s dough,” he remarked, joyously, “she’s shore gittin’ better.” Next followed a buckboard gaily painted red. Mrs. Mifsud and her daughter Maria aged fourteen who had taken a “quarter” of music lessons and was now the organist of the church, were occupants. Between them was wedged the pet of the family St. Elmo Mifsud a child of four. St. Elmo wore long chestnut curls and an angelic expression. Clarence Egerton Crump, Mrs. Mifsud’s nephew who was visiting his aunt and cousins, accompanied the family on his wheel. Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother. “Now, Mosey, Mar’d be as mad as a wet hen ef she heard you. I want two bits to give to the heathens in Arfrica an’ Mar don’t pay me fer doin’ chores like she pays you. Wisht I was a boy.”.